![]() He just came in tonight and was 11 months sober. “We had a guy come by earlier who got arrested at EDC last year, sold drugs to an undercover cop. “We’ve seen people get sober in our tents,” Thomason says. The meetings, run by Allen Thomason and Patt Ochoa, offer a safe space for those faced with the many illicit triggers present in a music festival. The support group provides reinforcement meetings for clean and sober ravers, hosting packed gatherings at 9 p.m., midnight and 3 a.m. ![]() Shane Lopes Best amenity: Consciousness Group An EDM mosh pit resembles pogo dancing more than the thrashing found in the punk and metal scenes, but the kandi-laden crowd did its best to appear tough. His entire set was drop after drop, only slowing down to tease The White Stripes' "Seven Nation Army." While house and techno hipsters turn their noses up at the idea of a “drop,” Herobust was bloodying noses on the dance floor. The Atlanta-raised trap producer made a statement at EDC. Overseas, ravers were packing up their own refuse and carrying it with them. He took EDC to Tokyo for the first time this year and almost didn't need trash cans. On the press tour Thursday afternoon, Insomniac founder Pasquale Rotella mentioned that the litter is exclusive to America. The festival’s employees attempted to keep up, but the crowd’s lackadaisical attitude was overwhelming. With temperatures well into triple digits, there was a multitude of empty water bottles scattered around the raceway. To give you an idea, one night I took a cab, sat in stagnant traffic three miles outside the festival grounds, and ended up walking at a faster pace than the highway’s sluggish flow. Sure, traffic is inevitable when you’re funneling 130,000 people into a single location, but this is like the 101 on a Friday with Obama at the Palladium and a free puppy giveaway downtown. If EDC was human, it’d be old enough to legally drink, yet it still can't figure out how to elude traffic. Although playing instrumental electronic music is nothing new, their presence among the button pushers signifies a growing demand for live performances. ![]() Saturday was a midsummer night’s dream with Rufus Du Sol and Autograf playing full-band live sets. Judging from their sets, labeling artists by genre is growing less and less relevant. Over the course of the night the DJs hit every genre and every BPM. Friday’s lineup was accented by artist manager Moe Shalizi’s roster of Ghastly, Jauz and Slushii. The only patch of grass at EDC epitomizes post-EDM.
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